Ban Guns, Come Hell or High Water

I didn’t fully recognize the remarkably pervasive anti-gun statement embedded in the well received film Hell or High Water until my morning jog the following day. The message is so subtle, so nuanced, and so expertly executed, this movie could be used as a textbook case for how narrative filmmaking can promote policy positions. And it could well be an Oscar winner.
Hell or Highwater chronicles Toby and his ex-convict brother as they rob unsophisticated backwater banks in small West Texas towns. Their goal is to steal just enough money to pay off the mortgage on the family farm and Toby’s

Read more at The Independent Institute